1981 FM writes complete tracks. Press generate and you get 64 bars with an
intro, verses, choruses, a break and an outro, played by a four-operator FM
synth. Lead, bass, arp, pad and a drum machine, through chorus, delay and
reverb.
Nothing is sampled. Every note is made on the fly and no two tracks come out
the same.
The music comes from chaos maths. A Lorenz attractor shapes the melody, rhythm
and mood. A Hénon map keeps the arpeggio moving. A logistic map handles the
drum fills: turn it down and they repeat every bar, turn it up and they never
do.
Chaos on its own is noise, so a small model filters it. It gets rewarded for
consonant intervals and practises over the chord changes before it writes
anything. The CHAOS / POLICY slider decides how much say each one gets.
Ten styles, and they are properly different. Funk plays a 16th-note slap line
with ghost notes between the backbeats. Bebop walks the bass and puts the ride
in charge of the time. Bossa runs a clave. Space strips the kit back to a
pulse.
Every track is built from its seed. Write the seed down and you can have that
exact track again, note for note, whenever you want it.
Turn on RADIO and it keeps playing, picking a new key, mode, style and tempo
for each track.
You also get:
• 10 styles, 6 modes, 12 keys, tempo and density
• Four-operator FM engine, 6 algorithms, 11 presets, random ...
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